Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Woodsman denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single important plot development, but it results in a comically executed rampage on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in British and Irish theaters from 17 November.